PinnedPublished inLe FoolLÙCHEN: THE VELVETEEN RABBIT BURNSThe spring/summer 2025 collection said save the environment.Oct 101Oct 101
PinnedPublished inLe FoolJuana Martín’s House Of AbundanceCouture week saw the designer examine the dichotomy of body and soul in a masterfully symbolic fall/winter 2024 show.Jul 52Jul 52
Published inLe FoolNew At Shanghai Fashion Week: Who Is Rè Shuǐ?The designer from rural China makes her debut: “This is the first time to go out and face the world.”Oct 91Oct 91
Published inLe FoolMAISON YOSHIKI’S SECOND COLLECTION BREATHES LIFE INTO PARIS FASHION WEEKSpring/summer 2025: The multi-faceted Japanese artist knows no bounds to his creativity.Oct 82Oct 82
Published inLe FoolYueQi Qi’s “Gilded Speed” Is A Romance Between The New And Old“Reject modernity, embrace tradition” …but why not both?Sep 251Sep 251
Published inLe FoolCouture Week Trends: Veils, Modesty & MysteryFrom tenured Giambattista Valli to newcomer Homolog, this season’s Haute Couture Week designers chose to cover all — but why?Jul 102Jul 102
Published inLe FoolDaniel Roseberry Honors Schiaparelli’s Post-War HistoryRoseberry paid tribute to the lost years of Elsa Schiaparelli, whose atelier rose from the ashes after being shut down following WWII. Jun 251Jun 251
Published inLe FoolKIDILL Taps Into Tokyo Punk NostalgiaThe Harajuku-inspired spring/summer 2025 show was like looking at the archives of FRUiTS magazine, with a side of Death Kult Mutant Freax.Jun 224Jun 224
Published inLe FoolMihara Yasuhiro Obliterates Fashion’s Biggest Trend: SustainabilityConsumerism was never designed to be good for the environment.Jun 12Jun 12
